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A lighted match is struck at the site of a lost medieval gate in Sandwich, UK.

Libations for the Lost at Terminalia – Sonia Overall

This is mixed media collage with a poem. The poem reads 'In a bare landscape, Hard ground and dust, Following a public path, Colonised by farmers, Walking alone, Easter is coming'

SLQS – Find.ers.Keep.ers

A shot of the Greenway in Hackney – in the foreground is a sapling with white blossom and thorns on its branches. In the background out of focus is an area of grass and a number of people in winter coats are walking along a paved path. It is a bright sunny day.

Nine Years – Sarah Wishart and Nicholas Middleton

A background of a bookshelf in front of which is a woman’s face with a clock face superimposed.

Dreaming of an Endless Landscape – Kate Morton

A Filipina migrant domestic worker is shouting passionately into a megaphone at a protest

Home Makers – Ella Parry-Davies

A woman walking on a path alone

Safe/Unsafe – Alisa Oleva

One of a series of images made by Susan Kester who during lockdown found an intensity of focus, both outside and in. “I began to include odd juxtapositions of objects and nature... a way for me to visualise the thought interruptions that come whilst walking.”

Sacred Space: two metre distancing – Walking the Land

A discarded face covering on the grass

Briefly IN-TRANSIT – Rebekah Dean

Feet of two women walking, one in London and one in Istanbul

Walking Home – Alisa Oleva

Image shows documentation of a performance with posted seawater, a Gnomic projection route between the Uk and Canada and a photography taken through a Sextant by Carly Butler.

S Project – Gudrun Filipska and Carly Butler

The image depicts a composite of the Tay road and rail bridge bBridges in Dundee.

Tay Bridges – Hayley Whelan

We wanted a combination of photographic material from the actual plotted points on the route mixed with text, textures and manipulations that would surface some of the ideas running though the project – site, place, walking, time, the cosmos, the effects of the lockdown – and also the contingency of things we find out along the way. So, this might mean text sitting directly on an image as a caption, a slogan, a provocation, a reflection, a lyric; it might also mean the addition of a spectral object or shape to mark the co-ordinates on our map; it could also mean the mirroring, cloning or copying of certain details in the photograph, suggesting possibilities of other worlds, realities or narratives: ‘what if’s’.

Astronomical – Claire Hind & Gary Winters

The black and white image shows grafitti on the brick base of Hungerford Bridge in London. There are barbed spikes in the foreground with clothing tangled up in them.

What I Did (Obsessive Killing Disorder) – Frank Molloy

An Instagram post of a sunrise over a street with a row of Victorian houses on the right. On the left side of the image is a pavement running alongside the Racecourse Park. A large screen reads UK Government Message National Restrictions Are Now In Place You Must Stay At Home Follow Published Guidance Gov.uk/Coronavirus. On the other side of the post it reads: Blakewalks British Summer Time Season 2, Walk 3. A chilly morning in Northampton for my (now sanctioned) daily walk. Sharing the sunrise with @clarequalmann, @zoebladon, @chriswellington and @thetravelingtype_. From England to Germany on the same frozen terrain. I chatted (at a safe distance) with a woman who was concerned about being able to continue walking her dog. I think a cheeky second daily walk is in her future.

British Summer Time, Series 2 and 3 – Blake Morris

A swing hangs below an oak tree, looking out across a wide river

As Above So Below – Carolyn Black 

A cloudy sky is reflected in a rectangular puddle surrounded by tarmac.

Distance Drift: puddle window – Sonia Overall

Discarded book page with the words ‘happy pills’ visible in grass on a hillside with a tower block in the distance in low evening light.

Outshifts ‘unregarded places, easily overlooked small landscapes’ – Outshift: Rachel Henson and Neil Manuell

The image depicts a poem written in black pen on a stone pebble. The poem reads ‘A butterfly chases a butterfly out to sea’.

Pebble Poems – Jim Young

The image depicts moonlight shining through reeds and grass

Drawing the hour – Eòghann Mac Colla

a woman stands holding an umbrella next to a brick wall

10 Scores for a Wild City – Helen Billinghurst

The image depicts a line drawing in graphite on thick khadi paper. There is text above and below which reads ‘Dealbh Anail, Breathin’ Drawing, Walking West, 18/04/20’.

Dealbh anail | breathin’ drawin’ 2020 – Eòghann Mac Colla

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#WalkCreate Gallery Online Launch – Wednesday 3 Nov 2021

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The acronym MOLA in white text on black underneath five wavy white lines

Associate Partners:

 

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