#WalkCreate Gallery

If you made any artworks using walking between 23 March 2020 and 21 May 2021 and would like to submit your work to the gallery please email the project team at walkcreate@glasgow.ac.uk

Audio/Sound Walks

Community-based Walks

Creative Interventions

Guided Walk/Walking Tours/Trails

Participatory Walks

Walking & Activism

Walking & Digital Media

Walking & Live Art/Performance Art

Walking & Performing Arts

Walking & Visual Arts

Children’s artwork: painting of rainbow & pony, tied to tree — A Pentlands Thread – Helen Boden

20/52 An easel holding a picture of two boys and a dog in pyjamas in front of a fire. Overlaid on the picture is text reading: A Walk Around the Block / I get my inspiration from the streets / Merrie England / Solitary Walkers / recasting Romantic walking practices / 'to the agitation and unrest of our times' / a movement into an unknowable future / I'm more of a street fighter than a Roman scholar. — 52 Scores, Score 20 – Blake Morris

Ceramic graffiti with the artists hand seeming to pour from a golden teapot onto a tile with the word ‘Thought’ written on it. — Window – Louise McVey

The Margate clock tower with a printed postage stamp and a qr code link — A Different Lens – Elspeth Penfold

Amber and Ellen made the video of their walk, to record their conversation about a how a carbon neutral landscape can bring many benefits. — Sharing Our Views: envisioning a carbon neutral landscape in the Stroud Valleys – Walking the Land

Small, hanging item made from birch twigs woven together. — Find-woven – Miranda Jean Walsh (aka Fluffgar)

A white woman in a green, black and white fitted dress kneels in a spotlight on a darkened stage. Her arms are outstretched and her head is flung back in a bold gesture of opening to the world / the audience. In front of her is a bowl of water – some of this has spilled on to the stage floor. — The Voice of the Water – not panicky (Alison Mackenzie)

A series of aerial photos showing a variety of natural and man-made items arranged in large mandala patterns on the ground — T100 Walking Festival – Ali Pretty with Kinetika

Front cover of the artist book Frankwell in View — Frankwell in View – Andrew Howe

A sunny field contains many square silk flags mounted on poles which illustrate stories about the Land of the Fanns area. — Land of the Fanns community mapping – Ali Pretty with Kinetika

A screenshot from a video that shows a hand pointing at a yellow black lives matter sticker on a post in the street. — Walking invitations and art with neurodivergent young people – Rik Fisher

Four women are standing together holding or reaching for leaves and twigs in their hands. They are facing inwards but each looking in a different direction. The leaves and twigs are in the middle of the image. In the background, in soft focus, there is a tree, grass and buildings as they are in a public park. — Yarmouth Springs Eternal – Genevieve Rudd in partnership with originalprojects

Hundreds of colourful silk pennants stretching into the distance, held by poles stuck in a yellow sand beach — Beach of Dreams – Ali Pretty with Kinetika

a person in a white coat empties two bottles of milk onto the ground — Coxside Smoke Signal – Helen Billinghurst

A Filipina migrant domestic worker is shouting passionately into a megaphone at a protest — Home Makers – Ella Parry-Davies

In this image Euan, a youngish white man wearing a blue shirt with a green buff around his neck stands laughing in front of a red traffic light in an urban street (in Paisley). — Adapting to Change – not panicky (Euan Hayton)

Two people (Corinne and Simon) sitting on a low wall. Between them is a string of antique postcards (displayed on the fence behind) picturing flowers. — Holding Courts: a walk in Kennington with Noble & King – Corinne Noble

A watercolour drawing depicting a structure used to create pre-Roman settlements, work land and stage battle in the municipality of Filignano in Molise, Italy. The structure is gradually being subsumed by a process of re-wilding as the forest reclaims mountain terrain that had been cleared and used for small-scale agricultural production by local citizens. — Structures – Tracy Mackenna

A middle-aged white man wearing a stripey jumper looks calmly and thoughtfully down the River Clyde towards the sea. The Kingston Bridge spans the Clyde in an arch behind him. Buildings can be seen behind the Renfrew Ferry on the other side of the water. — Journey to the Magical World – not panicky (Hughie McIntyre)

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#WalkCreate Gallery Online Launch – Wednesday 3 Nov 2021

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